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A&E (TV channel)
A&E is an American pay television network. It is the flagship television property of A&E Networks,
a joint venture between the Hearst Communications and Disney Media Networks subsidiary of The Walt Disney Company.
The network is headquartered in
New York City and operates offices in Atlanta, Georgia;
Chicago, Illinois; Detroit, Michigan; London, United Kingdom; Los Angeles, California, and Stamford,
Connecticut. The network focuses primarily on verifiable programming,
including reality docusoaps, true crime, and documentary miniseries.
The network was originally founded
in 1984 as the Arts and Entertainment Network,
initially concentrating on fine arts, documentaries (counting its then-flagship series Biography),
and dramas (counting imported series from the United Kingdom). In 1995, the network rebranded as A&E,
in an effort to downplay the negative perceptions of arts programming and generally market the network
as a “provocative” alternative to other television channels. In 2002, at the expense of its arts programming,
A&E began to gradually concentrate more on reality series to attract younger viewers. By 2017,
the network had also phased out scripted programs, making reality demonstrates its primary core interest.
As of July 2015, A&E is available to approximately 95,968,000 pay television households,
(82.4% of households with television) in the United States.
the channel is
launched for Australia,
Latin America, and Europe.
Arts and Entertainment
A&E was framed from the merger of the Alpha Repertory Television Service and the Entertainment Channel,
an excellent link station, in 1984 with their individual proprietors staying with stakes in the new.
Subsequently, A&E’s investors were Hearst and ABC (from ARTS) and Radio City Music Hall (Rockefeller Group) and RCA,
at that point the parent of NBC (from Entertainment Channel). The organization propelled Arts and Entertainment Network,
a social link channel, on February 1, 1984.
In 1990, in the wake of having disclosed scenes of its unique 1960’s variant, A&E obtained rights to,
and began delivering new scenes of the narrative arrangement Biography—which turned into the channel’s lead program.
The system additionally presented its own friend magazine, A&E Monthly.
The organization showed that plans for a history direct were in progress in 1993;
it obtained the Lou Reda Productions narrative library and long haul rights for the Hearst Entertainment documentaries archive. In June 1993,
the Rockefeller Group’s Radio City Music Hall sold its 12.5% stake in A&E to the next three accomplices,
(presently incorporating NBC instead of RCA after GE’s buy of the last in 1986),
with NBC owning 25% and the other two 37.5% each. Also that month, another generation unit was set up.
Unique logo utilized from 2011 to 2017
The A&E channel expanded to Canada, and later Mexico from 1993 to 1994. The account started airing 5 evenings per week in 1994.
Additionally in 1994, A&E, on its tenth commemoration, changed its name from Arts and Entertainment to A&E.
The A&E organization propelled The History Channel on January 1, 1995, with its UK partner following on November 1
in association with British Sky Broadcasting. A&E Networks believed History to
be the driver in global development because of the absence of worldwide rights to A&E universal co-preparations.
True to form, the History Channel drove A&E’s abroad development in Brazil with TVA (April 1996),
the Nordic and Baltic areas with Modern Times Group (1997) and in Canada (1997).
ABOUT A+E NETWORKS
We are a global media and entertainment brand portfolio that finds, cultivates,
illuminates and markets entertainment content to worldwide audiences.
A+E Networks® is a collection of culture brands that include A&E®, HISTORY®,
Lifetime®, Lifetime Movies™, FYI,™, VICELAND®, and BIOGRAPHY®. We are in eight out of 10 American homes,
cumulatively reach 335 million people worldwide and have 500+ million digital users.
We are in the story business and similarly as the business and art structure have evolved, so too have we.
Since our establishment in 1983 with only two cable channels, we have developed into a multi-platform,
multimedia, multi-genre content creator. Our brands have perspectives we gladly champion and defend.
We got to where we are by being great listeners, innovators and idea movers, specializing in the human experience.
See Our Brands | See Careers Arts And Entertainment Channel
SBCC Theatre Department
In this scholastic year, the City College Theater Department has put on five shows
and showed several youthful artists the intricate details of acting, organize overseeing, set planning and coordinating.
“Creatively, I think this present semester’s been exceptionally fruitful,” Professor Michael Gros said.
Gros coordinated last semester’s understudy creation of “The Last Lifeboat” in the Jurkowitz Theater.
The play recounts to the narrative of J. Bruce Ismay,
the proprietor of the notorious White Star Line and the organization that assembled the RMS Titanic.
Instead of remaining on board as the ship sank, Ismay bounced into the last raft,
sparing himself and leaving several others attempting to endure.
sparing himself and leaving several others attempting to endure.
“The Last Lifeboat” pursued 2018’s late spring melodic “Oil,” and the fall’s generation of
“The Game’s Afoot,” Arts And Entertainment Channel
the two of which occurred in the Garvin Theater and were coordinated by Professor Katie Laris.
“It’s been an incredible gathering of entertainers [in all shows],” Laris said.
Laris completed a great deal in the fall semester,
coordinating two shows just as instructing classes.
Both “Oil” and “The Game’s Afoot” were fruitful, the first being an energetic melodic
with an effectively unmistakable name and the other a comedic murder puzzle.
Educator Patricia Frank, the department’s picturesque and lighting executive,
said that while the department is generally ready to renew its creation spending plan with the benefits from ticket deals,
“Oil” was somewhat extraordinary.
“The melodic doesn’t ever pay for itself,” Frank said.
In any case, the department had the option to breathe life into Sandy and Danny in the Garvin theater,
and was even ready to expedite a vehicle arrange for “Lubed Lightning.”
Acquisition of Lifetime Arts And Entertainment Channel
In August 2009, A&E Networks obtained Lifetime Entertainment Services, which at the time was together possessed by Disney and Hearst,
each with half proprietorship. Following the arrangement, Disney and Hearst each held around 42% of the consolidated organization,
while NBC Universal held roughly 16%. The arrangement included systems by which NBCU could pick,
or then again be compelled to, leave the organization over the ensuing 15 years. AETN and Network 18 Group
In August 2010 framed a joint endeavor (49/51%), AETN-18 India, which would initially dispatch the History and Bio stations in India. In May 2011, A&E Television Networks changed its image name to A+E Networks.
A&E dropped TV as their brands had move past simply the TV channel while
keeping Networks being contemporary to comparable companies.